Artist’s Books & Portfolios

I just checked out this beautiful book from the library. It is not a how-to-do-it book but rather an inspiration book filled with 500 amazing and clever handmade books. A couple of my many favorite artists were Lisa Kokin and Elysa Vishell. Not all of the artists have web sites so I highly recommend that you check your library for the book or you can purchase it online at Amazon.

In my current mood of bookmaking, I thought I would like to store my un-matted paintings in some sort of portfolio. Especially the ones on Yupo as watercolor on this surface is so fragile. I bought an Itoya Original Art Portfolio, which has lightweight recycled polypropylene sleeves in it. I stopped at a store on the way home and I did not consider that the heat in my car would ruin this portfolio! I have left my matted work in my van for hours, but I have always used acetate wraps, sleeves and envelopes. I went back to the store and pleaded my case and they were kind enough to give me a store credit. I would hate to think I would have to carry this with me at all times if I was on the road, no lunch or other stops. While I was in the store I checked the other ones and they looked rather suspect. (I noticed they put up a sign since then that all portfolios were non-returnable.) The clerk admitted that the heat might have damaged them in shipment. He went on to say there are certain products they cannot order in the winter because very cold temperature affects them. This is something to think about when ordering anything. I have some acetate envelopes left over from my show days so I think I will try to make my own portfolio using them.

I Rather Paint

Casting Up Stream

I have not been in my studio for the last week due to other business and illness. I needed to lose some of the lazy pounds I have put on lately. I decided to go the fresh veggie route. My first diet meal really worked. I lost 3 lbs. in three days! I got food poisoning! I could not eat a thing those three days. The pain was not pleasant and something I would not want to go through again, but hopefully I can go from here with a proper healthy diet and keep off what I lost.

Since I have not been able to created anything new, I am posting a painting I blogged about before. The painting "Casting Up Stream" won an Honorable Mention at an Atlanta Artists Center show in 2008 and Best in Show at Kudzu Art Zone earlier that year. I mistakenly believed I painted it on Yupo, because I used some of the same techniques, but actually, it was Aquarius coated with a watered down soft gel. I used watercolors in a simple complimentarily color scheme with the warm earth tones dominate. I lifted some small areas with water using stencils. The calligraphic jesters are often part of my work because of my early schooling with a Japanese calligraphic master. I did not learn calligraphy but the experience has lingered with me since I was a young girl and has greatly influenced my art.

Old Watercolor Challenge

Old Watercolor Challenge

While looking for an unused piece of Yupo I discovered the painting above that I created for a watercolor challenge last year. The challenge was to pour watercolor randomly on a piece of watercolor paper of any type then work from there. Subject was not important. I chose Aquarius watercolor paper that I coated with matt medium so I could lift the paint. I did not enter the painting because I thought it was a little unpolished. I missed covering some areas on the paper with the matt medium, which grabbed the paint. This added to the rough appearance. However, I still liked it well enough to keep. You might try this challenge for yourself.

It has been so hot this week that I have not felt like moving. We keep our air conditioner on 78◦, but the poor old thing has had a hard time keeping up. My last electric bill doubled so I am dreading the next one! We turn off, (not standby), the computers when not in use and watch all the other appliances and lights. I feel fortunate that I do have a way to stay reasonably cool so I really should not complain and I still prefer it to cold weather.

Back to the cool basement studio to paint on the piece of Yupo I found.

Collage Journal

I may have confused some of you when I said I plan to use some of my Yupo paintings in a journal. I meant that collages inspired the last Yupo painting and I may cut up some failed paintings for collages. I am not sure I will do that now as I am working with old magazines and junk mail. I have my supplies in a plastic three-drawer organizer next to my recliner so I can collage while I am watching/listening to the TV. Yes, I watch TV in the evenings and enjoy dramas, Bravo and Food Network challenges. I love the new ‘Work of Art” series on Bravo. If I were twenty years younger, I would have been tempted to audition for it, as I can be a ham and I love a challenge. I won a TV art contest when I was twelve and it convinced me that art was my calling. The goal I have set for myself is to fill this journal. It has been waiting in my studio for at least five years. I bought it because I loved the heavy beige paper, plus it was on sale! Someone gave me a thick holiday edition ‘In Style’ magazine. It is filled with great colorful pages and it smells divine because of the scratch and sniff perfume samples. Very inspiring! The collage I’m showing was created from that magazine and the holiday dresses with a little green coliseum for contrast.

Art Journals

I have been watching my friend Deb and other artists on YouTube create art journals. Most of the journaling I have done, with very few exceptions, are written journals or sketchbooks filled with notes, composition ideas, etc. I love book arts and even took a class, a perk for the instructors at the folk school where I was teaching. The booklets I made in class remain empty as I considered them art without my embellishments. However, making an entire art journal was not something I considered. I had to make a living with my art and to put my time and creativity into a small book was not a luxury I could afford. Only in the last year have I given myself permission to create just for myself. Now I am thinking about creating one. Who knows, maybe my children and grandchildren will also enjoy them. Because of my thinking, my Yupo paintings have taken on a collage like appearance. I have even considered cutting some of the good areas out of the failures, spraying them with an acrylic coating and using them in an art journal instead of wiping them off for another painting. Beyond that, I had this crazy idea that an art journal would be a good way to use up all the art supplies I have accumulated over the years. Of course, that has turn into a joke, because I have found myself looking for and buying the materials recommended by the artists on YouTube. :O)

I Won!

Recently an online friend and artist, Deb, held an art journal cover contest on her YouTube channel. My suggestion won! Not only did she send me one of the prizes, she also added the George James ‘Mastering Yupo’ video! There is so much information on this video that it will take me awhile to learn it all. I tried a few of the techniques, in my style, on a small piece of Yupo. It got a little busy for such a small area, but I decided to post it anyway in honor of my friend’s generous gift.

My son told me about a neat program for quickly transferring my files from one computer to another without having to use my risky network connection. It is called Dropbox. You can share your photos and files privately or publicly with other Dropbox users. You get 2gig of free space and you will earn more if your friends sign up and say you recommended them. I do not keep my files in the box for long so I have not come near to using the 2 gig, but if you decide to sign up I would appreciate the referral. You never know when you might need a little more space :O) Thanks

Unleashed

I apperciate everyone's input about ways to make my standing to paint more comfortable. I bought some interlocking rubber mats for my studio and I am amazed how much they helped with my leg fatigue. I don’t know why I didn’t do this years ago. I've been painting daily since I put them down.

The Yupo painting above,’ Unleashed’, came about by a different approach than I usually use. Instead of creating a composition by painting in shapes then working from there, I poured paint and let it flow. I laid another piece of Yupo on top and created a mono print of sorts. Meaning I only used the results as a starting point. I sprayed water, bushed and lifted paint, then repainted some areas again. Unless you are a master at painting on Yupo it is rarely forgiving. You can lose what you have done in a heartbeat. For me it becomes a real game as to who will win. Hours pass before I surrender and the next day I am back at it, often ruining my hard won progress of the day before. I have to say, “STOP” and then leave the studio!

Yupo Eclipsed

I spent so much time standing lost in the fascination of watercolor on Yupo, that my legs could not take it anymore! This really eclipsed my painting time. My studio is located in my basement, which has concrete floors. I have a small padded rug in front of my art table. It has always seemed sufficient, but I guess my old age has caught up with me. Now any amount of time standing there turns into to pure torture. I have tried sitting, but I cannot get the fluid motion I want. I am going to try some of those interlocking rubber pads, but in the mean time, I have created a small platform from a door scrap. (I cut up doors for art panels.) Although it creates other problems, ie, table height and inadvertently stepping off it, I hope the platform will do the trick.

The painting above is the last painting I created before I had to surrender to my legs. I titled it Eclipsed, which seemed to fit the painting and the current situation. I used a limited palette again and my usual cruciform, axial obvious format. The energy of the ocean and other moving water has always been my favorite subject matter. Although I was not consciously aware of it at the time, I believe being horrified by the oil disaster in the Gulf, has influenced my work.

Yupo Artist, Sandrine Pelissier

Struggling with Yupo led me to look for ways other artists have dealt with this tricky painting material. I discovered Sandrine Pelissier’s website and blog. Not only has she mastered Yupo, but also she generously shares step-by-step demonstrations, tips and techniques Her nude painting that I’ve featured here is one of my favorites. Amazingly Sandrine is a self taught artist and is proficient in all media   

Sandrine grew up in France and has been living in Vancouver for the last 10 years.. Since 2010, she has been an associate member of the Federation of Canadian Artists, and exhibited in numerous juried exhibitions in Canada and in the United States. Sandrine had a feature article in the August 2009 issue of Watercolor Artist magazine. Her work has been published in several books including  Splash series Splash 11 New directions: The Best of Watercolor, Splash 12, Watermedia: Best of Worldwide, Art buzz 2009 and 2010.

I hope you will visit all of Sandrine’s websites and her blog to see her wonderful creations.

Marks

                                                                       Shaman's Staff

I am still painting on Yupo. The crazy stuff continues to fascinate and frustrate me. The slightest attempt to correct, lighten or darken an area usually ends up distorting it. I tell myself that in time  I will master it, but I may be fooling myself. The other side of the coin is if I ever did, would I continue to be captivated?

I am reading,’ Expressive Drawing’ by Steven Aimone. Drawing and mark making was my first love. As a child, I scribbled and drew on everything. I hated coloring books, because I was too impatient to stay inside the lines. I envied the neatly colored pictures my friends would make but try as I may I was unable to do it. Steven encourages automatic drawing and expressing yourself with the freedom of a child. Yupo gives me that freedom by not allowing me to have total control over it. This painting, ‘Shaman’s Staff,’ illustrates that freedom. The ‘axial obvious’ composition motif that I used for this painting is a favorite of mine, which probably annoys some who cling to outdated rules and possibly color inside the lines :D

Art and Fear and Yupo

I have been reading ‘Art and Fear’ and dealing with my “Artists’ Funk”. I am always amazed when I hear and read about those who have never experienced it. However, I have broken through my ‘funk’, but not without some frustrations. One of the suggestions in the book is “When things go haywire, your best opening strategy might be to return—very carefully and consciously— to the habits and practices in play the last time you felt good about the work. Return to the space you drifted away from and (sometimes at least) the work will return as well.” The last time I felt excited about my work was when I was entering local art association shows and painting on Yupo. In fact, painting consumed me to the point that I rarely posted as attested to in my June 16, 2008 post.

If you have never heard of Yupo it is a plastic surface that accepts water media paints but has a mind of its own. The paint slips and lifts at the slightest provocation. A Japanese firm created it for sign painting. When I saw the wonderful paintings done by George James, I knew I had to try it. The first time I tried Yupo I cautiously drop some watercolor on the surface and a weird little bloom appeared. I added other colors and before I knew it, I had a strange flower staring at me. With a few pencil accents and paint lifts, I decided it was finished. I signed and titled it ‘Yupo Blossom’. From there I went on to paint some award winning abstracts. After reading chapter V in the book I am cautiously on my way again. The Yupo and watercolors are set to go and my blogging will have to wait in line!

Nurturing Creativity

In my search for inspiration I discovered this 2009 video on TED.com of Elizabeth Gilbert and the subject of "Nurturing Creativity". Elizabeth is the author of one of my favorite books, Eat, Love, Pray. Her talk is about (and I quote)" the impossible things we expect from artists and geniuses -- and shares the radical idea that, instead of the rare person "being" a genius, all of us "have" a genius. It's a funny, personal and surprisingly moving talk". The talk is almost 20 minutes long, but I believe it is worth it. I worked on a mixed media piece while I listened. I smiled, was inspired and could relate to so much of what she said. Elizabeth gave me permission to keep on creating the weird pieces that I have been creating. Not sure what is up with my muse, but I am going with the flow. Olay!

A footnote: one could spend hours watching videos on TED, and another one I enjoyed is Amy Tan's video as she explores the creative process. This videos really needs to be watched rather than just listened to as she has a clever Power Point presentation

Easing Forward

I have spent the past few days in my studio, pouring, splashing and wiping out paint along with doing some college. Nothing I consider successful, but that was not my goal. I just wanted to break my dry spell and move on. I gave myself permission to put the" shoulds" behind me. I think this little experimental wipeout watercolor on hot press illustration board, reflects my frame of mind. In fact, the more I look at it the more I like it; not as a work of art, but for the message it gives me. It is not like anything I have created before and probably not again. That is okay too. I am just easing forward.

Retirement

One of the most interesting blogs I follow is Katharine A. Cartwright’s blog. Katharine is currently reviewing a wonderful book, Art and Fear, by David Bayles and Ted Orland. I bought this book a few years ago and as with most books, as much as I liked it, I did not find the time to finish it. I have always felt guilty if spent too much time reading. I usually try to read a little before I go to bed and I end up falling asleep, so it has been great reading Katharine’s book synopsis… A book club online and that feels productive to me.
What does all this have to do with retirement? One would think that being retired I would not feel guilty about reading or doing anything for just the enjoyment of it. One word, “annihilation”. The subject of a section in chapter III in the Art and Fear book and Katharine’s May 12th post. it refers to how some artists feel and react to dry spells in their work. Since I retired and no longer do shows or have an agent, etc. I have experienced this feeling of annihilation. I do not have the energy or the good health I had a few years ago so my productivity, even for my own pleasure, has diminished. The guilt and feelings of hopelessness gets heavy at times, which seems to exacerbate the “dry spell” problem. I eat too many sweets for energy (counterproductive), and when I am not going to the doctor, I am grocery shopping and doing other chores, but not painting. My excuse all winter has been the lack of heat in my studio. I tell myself, now that the hot weather is settling in, the studio will be the coolest place in the house and surely then the creative juices will flow! Now I am whining, which I really dislike, but I thought if I came clean with my fears, then I could deal with them. I hear the clock ticking and avoiding my studio will not slow it down. Maybe this will be my epiphany. Today I will go down and just throw a little paint on some paper and hopefully the muse with appear!

An epiphany is the moment when you run out of excuses for yourself, and nothing is left but the truth. ~ Kenji Crosland,

Renewal

For me spring is a time for renewal. A time to clean out the cobwebs of winter, plant seeds and get my house in order. It is also a good time to put my business affairs in order. With my taxes filed, next on my list was to finish my new website. The allotted space provided by my previous web host was limited and I had to use their templates. I tried to modify them to suit my needs for almost 6 months and finally gave up. I changed to a host with unlimited space and the option to create my own site. I am not that computer savvy so I bought a program to help me. It took me a little time to grasp the fundamentals (still not sure, I have done everything right), but I am now published online. I plan to add other images soon. www.evamacie.com The only thing still hanging is my domain transfer. It expires in 5 days so I am cutting it close. Fingers cross that I do not lose my domain name and all the work I have done...... Now I have tomato plants waiting for my attention.

Monitor Calibration

Do you need to calibrate your monitor?
I have been dragging my feet on creating a new website, but I think I am almost finished. However, when I checked the site’s appearance on my other computers, I was shocked at the difference. Two of my computers have LCD monitors and one has an old phosphorus monitor. Obviously, I needed to calibrate them, as I could not see the subtle harlequin pattern, shown above, on the LCD’s. I tried the calibration that came with my computer, but it did not work with all of them. I found this post on Flicker that really helped me. http://www.flickr.com/photos/daveward/262020865/. If you have any doubt about your monitor's calibration, I highly recommend that you read Dave Ward’s entire post and the comments as it has some great sites for monitor calibration.

Appreciation

Over the many years of my career as an artist, I have received letters and notes from my clients telling me how much they have enjoyed owning my work. I have appreciated each of them. Recently I received one from Tom and Rochelle McDonald. I must say it was a beautifully written note and it really touched me. I was surprised because the artwork is a painting on a 30” hand contoured, rag paper disc, which I created in 1995. Tom, only 25 at the time, commissioned it for his sweetheart, Rochelle. Tom and Rochelle are now married; they have a son, Quinn and live in a lovely home at Berkley Lake. Tom remodeled their home a year ago and built a fantastic custom niche to display the disc. He sent me a couple of photos, one of which I have posted here. Thank you, Tom and Rochelle; I feel honored, you made my day!

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Another note of appreciation goes to Barry H. who recently purchased a large acrylic painting, “Rites of Spring”. Barry saw a canvas giclee of another one of my paintings in a health club he recently joined in North Carolina. He found my web site and a painting he liked. Long story short, the buyer and seller are happy. Thanks, Barry.

Nuts!

My absence from my blog was due to the issues with my heart since last fall. The cardiologist insisted that I have a cardiac catheterization, also called coronary angiogram. It is a test to check the blood flow in the coronary arteries, blood flow and blood pressure in the chambers of the heart, to find out how well the heart valves work, and check for defects in the way the wall of the heart moves. Fortunately, there was no blockage, but it confirmed my heart arrhythmia. It was a very painful experience and I pray I never have to go through it again. They did change my medication and all I do is sleep! Unfortunately, this could last up to six weeks with no caffeine or wine. Nuts!

Speaking of nuts, I really believe my constant snacking on raw almonds and walnuts are the reason my heart valves passed the test. I love them. They are great art subjects too. Since I have not been up to creating any art lately, I dug through my old drawings and found one I did when I was a young gal 43 years ago. Drawing was my first love. I have several that have survived the many moves I have made over the years, but I wish I had kept more.

Think I'll take another nap.......

Pat Dews Workshop

Pat Dews is one of my favorite workshop instructors. I own her DVD, ‘Designing Great Starts with Texture & Form” and I enjoyed just watching her work, She is so lively and creative that it is impossible to fall asleep watching it.

When I learned Pat was holding a workshop in Atlanta a few years ago, I quickly signed up. I was not disappointed. Pat stayed on “go” and demonstrated constantly all week long. I was exhausted, but pleased with everything she shared. She holds nothing back. I recently heard that she would be in Highlands, North Carolina, April 12- 16 at The Basocm. I understand they need a couple more students to make the class. Because of my health issues I cannot attend, but If you are near the area I highly recommend you sign up as you won’t regret it.

The painting above, “Sheltered View” is one of the pieces I created in a Pat’s workshop. The assignment was to take a very small portion of a photo and abstract it using monoprint techniques. My photo was part of an advertisement that featured a safari tent in the background.

Heart Awareness Month

Although this month is almost over, most of us know February is dedicated to raising awareness about heart disease. Heart disease is the leading cause of death in the United States. Knowledge about prevention is so important. I have blogged about this before, but I feel the story warrants repeating. Last fall my basement flooded and left it damp and moldy. One of my storage containers was my father’s old military trunk. When I opened it and attempted to clean it, I inhaled the mold that was covering everything inside. The following weeks I spent trying to eradicate the rest of the mold in my basement and taking Claritin-D so I could breathe. Long story short, I am now being treated for high blood pressure and heart arrhythmia! I cannot stress the importance of wearing masks when dealing with toxic paints, and materials. Also, read the labels of any medication before taking it!
The image above is part of the old truck, which is now in my garage airing out. I drew a little heart on it to remind me not only that I love my father, but also I need to love myself by watching my health and what I consume.

I Had To Ask

Atlanta, like most of the country, is covered with snow. Our subdivision looks like a fairyland and the roads are still a icy. Snuggling in by my electric fireplace, I decided to finish a blog post I started last week about some Jackson Pollock movies. Previously I emailed MOMA, Museum of Modern Art asking permission to use one of the Jackson Pollock painting images. They forwarded my request to an art resource company. This company informed me that I would have to pay them $50.00 a year to use the image and I needed to get permission from the Pollock foundation! With all of the images on the net I was shocked and wished I hadn’t asked. I decided to create my own at Jackson Pollock org. This online program is a very tricky to use, but once you get the hang of it, and learn some tricks such as changing the paint color in a corner, it can be fun. I have a screen capture program so I can copy it and edit in Photoshop. Now I have my own fake Pollock painting.
This leads to my post about movies. I recently acquired a movie titled, “Who the $#%& Is Jackson Pollock?” (2006). It is about Teri Horton, a 73 year old former truck driver from California, who purchased a painting from a thrift shop for $5, only later to find out that it may be a Jackson Pollock painting. It was fascinating, watching the experts trying to prove or disprove its authenticity. I will not reveal the conclusion, as I hate spoilers. This is not an award-winning movie, but it if you enjoy watching people’s minds at work and having a closer look at the Jackson Pollock’s techniques this movie is the one to see.
I also own the movie “Pollock” staring Ed Harris.This one is an award winner! I love this film and have watched it several times. I related to so many of the creative struggles Ed Harris portrays in this movie, from being annoyed at the critics to sitting on my studio floor trying to birth a new painting for a show. Some artists ease into their work, but others, like myself, struggle to find something that is original and satisfying. Like a Rothko painting, I am sure Jackson Pollock’s painting must be viewed in the real to truly be appreciated and it is my dream to do this before I pass.

Special People

Living as a single woman since 1984 and struggling to support myself as an artist, I have had more than my share of personal crisis. Several years ago when I was going through yet another crisis, a soft-spoken artist (angel), Clara Dodd Blalock, appeared. She offered me a show at her church, the Church of the Atonement in Sandy Springs, Georgia. Being out of the show circuit for a while, my mailing list was completely out of date. I was such an emotional mess that fortunately Clara and her church cultural team took care of all the details. It was a lovely reception, but few of my former clients showed up and I managed to sell only one piece. I still feel guilty, but grateful, about all the hard work that they did for me. Clara has continued to be kind and supportive. She is truly one of the special people in this world.
Clara is also a fantastic artist. Her awards and accomplishments are numerous. I particularly love her abstract paintings. (You can see more of them on her website)I share Clara’s love of drawing and line. Clara’s calligraphic brushwork reflects this. It is fresh and exciting. Her subdued color palette contrasts with the energy of her marks, the epitome of "Speak softly, and carry a big stick." Clara is an accomplished contemporary landscape painter as well. The TV shows, “Trading Places” and "Extreme Home Makeover," featured her work and she is represented in several galleries across the United States. You can view some of her landscape paintings online at the Tucker Gallery located in Evanston, Illinois. I hope you visit the sites and enjoy more of her work.

They Come And Go

We live in such a mobile society. My artist friends are no exceptions. My friend, Beverly McLarty recently moved here to Atlanta, from Arkansas. It was such a delight to meet a new artist, especially after the departure from Atlanta of a wonderful painter and print maker, Susanne Clark. Susanne is now happily living in Toronto and from all reports (see her blog), I can understand why. I recently received a link to a Slide Show of her mixed media creation titled “Geisha”. The moment I saw it I fell in love. Having spent some years as a young girl in Japan, anything Asian grabs my attention. I asked Susanne to tell me more about it and she generously shared this information. “The painting is 48 inches square and it’s on board. I under painted in acrylic and then finished it off in oils. The board was textured with lots of tissue paper glued on in layers before I started to paint. It’s based on a traditional geisha painting but I have modernized the look of it etc.” I particularly love the little gold rectangles that are scattered over the piece. Susanne says they are gold paint put on with a stamp she made. This wonderful piece hangs over Susanne’s breakfront in the dining area of her lovely home. I hope that you will visit Susanne’s website and enjoy all of her creations.

A New Creative Year

On January 2nd I received an email from an artist, Beverly McLarty, who just moved here from Arkansas and wanted to meet me. Beverly included a link to her site. I was very impressed with her work. The sheer volume of the pieces she has created amazed me. Her energy and productivity are unbelievable. In the short time Beverly has been in Atlanta, she has located and joined an art association, acquired a student and is now building a new studio!
Beverly’s paintings are very complex, with rich surface texture and color. Her figurative pieces are just as lush. The figures weave throughout the surface like brocade. Sometimes feeling like the works of some of the Symbolists such as Odilon Redon and Paul Gauguin’s painting “Where Do We Come From. What Are We, Where Are We Going?”
We are fortunate to have this talented, ambitious woman living in the Atlanta area. I’m looking forward to a rich friendship with Beverly and a very creative New Year.

Another New Year

Every year, filled with hope, I make my list of resolutions; tuck the list away, only to forget about it. It is as if just making the list would fulfill it. A wise person said, “The road to failure is paved with good intentions”. Although I do not consider myself a failure, I am often disappointed when I look at my list at the end of the year. I rationalize that maybe I set the bar too high, or that some other situation over shadowed everything, ie, the economy, family issues and health. Truth be known, I was just was not motivated enough to do the work. I find my retirement has given me license to avoid it. This year I decided to break with tradition and not make a list. I know what I would like to accomplish and if fate and my motivation stays with me, I will get it done. If not, at least I will not have another list to remind me that I dropped the ball again.

Recycled Again

One of my favorite and respected follows, Egmont van Dyck, left a helpful critique (see comments) of my recycled mixed media piece “Recycled”. I agree with what he had to say, but I am not sure I have accomplished what he suggested. The red crosshairs are merely guidelines to show that I have moved the focal point by cropping the piece. I eliminated the large black area by adding more of the dark gray collage paper and added accents of the other colors. I left the large blue gray area untouched to maintain some area of rest and the sliver of black for balance. I think I can live with this for now and will put it away until the mood to revisit hits me again.

RECYCLING

As another year comes closer to the end, prompted by an online mixed media class, I started reevaluating some of the pieces I had set aside to revisit. It is interesting to see these pieces with new eyes. Not worrying about the consumer market has freed up my thinking. The piece I am showing, titled "Recycling", was cropped from a larger piece and a small piece of additional collage was added to break up a shape.

Persimmon Season

I spent four years in Japan as a military dependent and one of the many treats I enjoyed in November, were persimmons. Having never tasted them before I was pleasantly surprised by their sweet juicy flavor. It did not take me long to learn that one of the varieties of this fruit, Hachiya, if not ripe, will pucker your mouth with its bitter astringent taste. However, the Izu persimmons, which is of the Fuyu variety, can be eaten in its firm state like an apple and is my favorite.
Recently a new Asian market opened here and I was happy to see piles of these wonderful Izu persimmons in the fruit bins. I brought home my delicious find and decided to do a watercolor of them. I recorded a video of my efforts and posted it on YouTube. My camcorder is new and I have not learned to angle it properly or how to edit the clips. I have always taken photos and made slide shows, but I have to start somewhere. It is better to view it in HD. Here is the link. Watercolor Persimmon Demo

More Autumn Memories

It is a beautiful autumn day here and like all good things, I would be happy if it would never end. Many years ago, I lived in Vermont and the autumns were spectacular. People came from all over the country to enjoy them. As the leaves would fall, we would rake them into large piles and, much to my husband’s dismay, our children would run and tumble into the piles, scattering them everywhere. Laughter and squeals of joy filled the air turning it all into a wonderful game. It was legal to burn leaves then so when the games and the raking ended we would make mini bonfires of our leaf piles. I loved the smell of the smoldering leaves. Later we spread the ashes of our happy day across the garden to feed the soil. Tired and happy, the boys, piled into our gelding pony cart, would ride to McKay’s roadside stand to buy crispy McIntosh apples, cider and apple turnovers. The day would end with a treat of warm, spiced cider and pie. Those days are gone forever, but the memoires are still vivid enough to inspire this digital painting below.

October Memories

Every October when I see the piles of pumpkins at curbside markets, my mind and heart races back to a wonderful time in my life. I was a new divorcee and one of my first dates was with a delightful younger man. He was clay artisan, a talented potter, shy, blond and very attractive. We were exhibiting at the same art festival. At breakdown time, he approached me and asked if I wanted to join him for a snack and then see something wonderful. Who could resist such an offer? All through our meal, I kept asking what it was he wanted to show me. He would grin slyly and say, “It’s a surprise and it’s not here!” We popped into his van and drove out to the countryside. The sun was just fading to a sunset and then I saw it! A field rippling with colors of gold and orange created by hundreds of pumpkins! Never had I seen so many. The setting sun enhanced the colors and drama of it all. I was astounded! The scene and my date made a lasting impression on me. He picked out a small pumpkin, purchased it and gave it to me, saying, “This is something to remember our date.” Our paths went different ways after that, but I kept the stem of the little pumpkin in a small, decorated Altroids tin box. I recently rediscovered the pumpkin stem and decided to do this digital collage in memory of the occasion.

Celebration of Life

This collage is combination of a collage on watercolor paper and a digital collage. I was never happy with the actual collage so I scanned the parts I liked and used them for this digital collage. Because I used Ginkgo leaves, I titled it “Celebration of Life”. The Ginkgo tree, to my understanding, can have a life span of 1,000 years or more. China claims to have a 3500-year-old Ginkgo tree and the Ginkgo, revered in Japan because one at a temple survived the atomic bombing, called it the “Bearer of Hope”. This has special meaning for me now. Apparently, the stress of a flooded studio caused an acute raise in my blood pressure and a pounding heart. I ended up in the ER having every test imaginable. I was happy to learn my heart is fine, but I do have high blood pressure and arrhythmia. I do not mind the medications, but I must confess my new tasteless, low sodium diet without a glass of wine is not appealing. Creating this collage reminded me of what is important and reasons to celebrate my life

After the Flood

With my studio still piled with rescued stuff awaiting a new shipment of mold treatment, I am using my computer for my creations. Today’s image is a digital collage created partly from some photos I took when I was in New Orleans the spring before Katrina. The background is a photo of a section of the wall that surrounds the famous St. Louis Cemetery No. 1 on Rampart Street. Founded in 1789, it is the oldest existing cemetery in New Orleans. Seeing the devastation in our city and the little I experienced myself, fragments of New Orleans seemed appropriate for my collage.

Deep runs the water
A painful purging
Catharsis from the unknown

Nightmare Challenge

Atlanta went from drought in 2008 to flooding this year. Almost everyone is experiencing some sort of water problem. I feel fortunate to have only a flooded basement, some folks lost everything. For me it is the second time in the past week. To add misery to it, we lost our power all night. I did not sleep much worrying about the food in the refrigerator/freezer and not being able to wet-vac the water. Yesterday, during a rain break, I made some gutter and concrete repairs, but we still have water running in so it is coming from some other place. I know that I am not up to doing this anymore. I wonder if I will ever get back to painting in my studio instead of cleaning up mold and water. It is really a mess again!
I want to thank those of you who emailed me and commented on the Java Sunrise. Although no one sent an image to post,Layers , Leslie Avon Miller and Blue Sky Dreaming had interesting comments about their collages along with the insights of van Dyck. Check their comments and wonderful sites, you will not be disappointed and think sunshine for those of us who need it.Thank you!

Another Challege

The latest challenge for the online art group was to use some household item as the material for our creation. I chose to create a collage with coffee filters and coffee in all forms. Although I titled this “Java Sunrise", some said it reminded them of a bouquet or a wild garden behind a fence. Either way, it was a fun challenge that will continue for the rest of the month. I may do another piece if time permits. What would you chose for your household item? Care to share? If so, email the image and/or the link to your site and I will post it here.

Masks

I recently entered another online challenge. The challenge was to create a modern twist on Leonardo da Vinci’s Mona Lisa. Artists have done this many times over the years, so coming up with something new was a challenge in itself. Lisa Patencio’s video on YouTube was my inspiration, and possibly by the fact that lately I have not been able to work in my studio without a mask.

Because of the wetter spring and summer this year, my basement has been mustier than usual. A month ago, I decided to try to remedy it by cleaning up any suspect areas. I opened an old trunk filled with some old art booklets. I was shocked how musty everything was. Immediately I removed the books and dusted out the residue without gloves or a dust mask. Then I sprayed it with an aerosol Lysol. The spray blew the spores all over me and released them into the room. The next day I was wheezing, a rash covered my arms, and my basement was mustier than ever. I bought another dehumidifier, replaced all the filters with HEPA filters, and now I am preparing to fog the whole basement using a mold control fogger from Home Depot. I hope after this I will be able to work in my studio again without a mask!

Scanner Art

Recently I participated in a scanner art challenge with an online artist’s group. The only requirement was that we had to use some part of the face or hands. One scan of my face and I knew that my hands would have to be the subject. I was surprised to see my hands were as upsetting as my face. Photograph a body part pressed downward against a piece of glass and it becomes bizarre to say the least. Wrinkles become huge folds that seem to melt into puddles of flesh. The only solution was to the rest my hand on something so it would not touch the glass without any excess weight. Frames were my solution, albeit they still required more tricks than I had imagined. On the second go around, we enhanced our scans with Photoshop. In the end, I was pleased enough with them that I chose the hand with brushes as my avatar.

Older But Wiser?

Being older and wiser has come with a price. The cost has been many years of hard work and also mistakes and failure. I have become increasingly aware that of some my knowledge is almost useless because information and opinions continue to change. Today people see the world differently. The old rules often do not apply. This is not new with art, but it is more acceptable now than ever to break the “rules”. Often the creation becomes more interesting. The work does not bore you with convention. Instead, it provokes, it charms, may disturb, but always grabs your attention. To prove the point there is a new movie out that is having record-breaking attendance because it is so radically bad. In this day of higher stakes and expectations to master everything, do we need a break and crave some perfection in repose?
I recently learned this lesson when an artist asked my opinion of her painting. I offered to do a digital diagrammed critique. Unfortunately, I realized after I emailed back my critique, the painting was no longer hers. I had been so foolish to rework it and I robbed her spirit from the painting. I quickly let her know that I had made a mistake and apologized for being so presumptuous. A wiser I will restrain from ever doing this again. I will instead ask the artist how they feel about their creation and why, then listen.

Back To Square One!

I am celebrating!I recently went to the Atlanta Artists Center to pick up my art from the latest show.In the process of going though the storage rack to find my paintings, my lost painting "Back To Square One", magically appeared in the lower rack!It was such a strange feeling seeing it again. It's funny how we can get attached to our creations.It's a joy to sell or give them away, but to loose them is really hard for me.

Bring Back to Square One

My prize winning painting, "Moving Back To Square One", is missing. The last time I saw it was when I went to pick it up after the show at the Atlanta Artist Center. This was the same time I picked up and sold the “stimulus” painting I wrote about earlier. In the confusion and excitement of the sale, I lost track of it. I have search everywhere, my home, my car and both of my art associations. Nada, it is not to be found. Although I have a large canvas giclee of this painting, I would love to know where the original is. I hope if someone has it, they will enjoy it as much as they felt they needed it.

Another Layer

This morning I decided I wanted to create some collages. I have so many discarded prints, transfers and abandoned paintings for collages. However looking at all of this, I lost my desire to add to the pile of rejects. I decided to do the collages on the computer. Like my scrap pile, my external hard drive is loaded with images and photos I have taken over the years. Enough to last me many life times. I can get lost for hours, altering, filtering and layering these images. The great part is there is no mess to clean up or piles of rejects to store. Today’s image is the result.

Stimulus

Saturday, I went to the Atlanta Artists Center to submit work for this month’s show and pick up some from previous ones. At the last minute, I decided to include a realistic oil rock study. I blogged about it on September 20, 2008, “ Back To Square One, Rocks”. While I was at the gallery, another artist introduced herself saying she admired my work and was happy finally to put a face with the name. To add to the delightful moment she decided to buy the piece I was picking up,(shown here.) When I returned home, I received a call from the gallery saying the “Rock Study” painting won an Honorable Mention with a small cash prize! Now that is the kind of stimulus package I like. Not only did I earn it, it motivated me to continue create!

Evening Shadows

Recently someone asked me if I painted portraits. I told them my portrait art was limited to digital painting in Photoshop and Painter, two of my favorite computer programs. He was agreeable to let me try it. I worked all day on the wonderful family photo taken in their kitchen. My biggest challenge was what to do with the kitchen cabinets. I finally came up with a promising solution, but when I enlarged it to print size, I was shocked at all the mistakes and mess I had made! My eyesight has aged as fast as I have! It is hard to accept that I am in the evening of my life. Like the shadows that I cast I hardly recognize the woman I use to be!

Colorful Memories

I recently received an email from someone who located me on the web. He said he purchased a piece of my art in the early 80’s at the Winter Park Art festival in Winter Park, FL. It was flattering that he went to the trouble of finding me. It also brought up many memories. The first year I participated in the show I won an award and received an automatic acceptance the following year. That year my late former husband decided to come along and be my assistant. This was before they required tents and I used clear plastic sheets to cover my work if it rained. Unfortunately, I forgot to bring my plastic sheets and I sent my “assistant” to purchase some. He returned proudly with an ORANGE tarp! I was horrified and he was upset with me for not appreciating his efforts. When the rain came, I had no choice but to create an orange tent over my display. My work took on a hideous glow and my spot stood out like a festered toad! Although I sold well, it came as no surprise that the judge walked right by my display. I can chuckle about it now, but it took a long time to get over my embarrassment and disappointment that I was not invited to show there again.

Gelatin Monoprinting

I discovered monoprint printing on a gelatin plate in a workshop a few years ago. The gelatin was so responsive to the ink and paper, that I promised myself to try it again. It took until recently to keep that promise. For some reason I didn’t want to go to the trouble of making the gelatin plate. As a result, I made a mess of it when I did. After patch and repair, a suitable plate emerged and the next day it was firm enough to apply the inks. It didn’t take me long to realize I was dealing with a sizable learning curve. I only had a couple of water base ink colors and the caked rollers created unexpected results. “Moving Forward” is the only print that satisfied me. I have a couple more that I may enhance later. I will probably try this again before the gelatin plate goes bad, but I am not too sure it was worth all the effort .